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Good drama co
Good drama co












good drama co

Rampling was made for this, and it was an incredible coup by debut feature director Matthew Saville to secure her. Go and see Juniper, for Rampling, of course, but for everything else as well.Īs Ruth, she effortlessly conveys that she has lived a long and adventurous life during which she has only ever played by her own rules and too-bad for any broken hearts she has left in her wake. Rampling is a genuine old-school star with a long history of being absolutely the best thing about many of the films she has appeared in. And she is just as formidable and watchable as you might have hoped. We learn early that she is a devout young woman and that her faith is challenged by the atheist-and-bloody-proud-of-it Ruth, but this potential conflict goes mostly unspoken and undeveloped.īut the star here – and the person you've come to see, is Rampling. The script sends him off to England for a long middle section of the film – and then doesn't seem too certain of what to do with him when he's around, other than compound some of Sam's angst while he ferries him around in a Range Rover. Next to Sam, Marton Csokas as dad feels a little underwritten and underused. No matter what the poster and the trailer is telling you, Juniper is Sam's story and Ferrier hands in a performance that does it justice. More often presented in movies and television than in live theater, popular examples of docudramas include the movies Apollo 13 and 12 Years a Slave, based on the autobiography written by Solomon Northup.In Juniper, Charlotte Rampling is just as formidable and watchable as you might have hopedĪs Sam, George Ferrier finds a lovely balance between self-absorption and destructiveness – and showing us flashes of the vulnerability and pain that he is trying so hard to deny or conceal. Docudrama: A relatively new genre, docudramas are dramatic portrayals of historic events or non-fictional situations.The decidedly tragic La Bohème, by Giacomo Puccini, and the bawdy comedy Falstaff, by Giuseppe Verdi are classic examples of opera. Since characters express their feelings and intentions through song rather than dialogue, performers must be both skilled actors and singers. Opera: This versatile genre of drama combines theater, dialogue, music, and dance to tell grand stories of tragedy or comedy.

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Sometimes called “tearjerkers,” examples of melodramas include the play The Glass Menagerie by Tennessee Williams and the classic movie of love during the Civil War, Gone With the Wind, based on Margaret Mitchell’s novel.

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  • Melodrama: An exaggerated form of drama, melodramas depict classic one-dimensional characters such as heroes, heroines, and villains dealing with sensational, romantic, and often perilous situations.
  • Examples of farce include the play Waiting for Godot by Samuel Beckett and the hit 1980 movie Airplane!, written by Jim Abrahams.
  • Farce: Featuring exaggerated or absurd forms of comedy, a farce is a nonsensical genre of drama in which characters intentionally overact and engage in slapstick or physical humor.
  • Rarely enjoying happy endings, characters in tragedies, like Shakespeare's Hamlet, are often burdened by tragic character flaws that ultimately lead to their demise.
  • Tragedy: Based on darker themes, tragedies portray serious subjects like death, disaster, and human suffering in a dignified and thought-provoking way.
  • Comedy can also be sarcastic in nature, poking fun at serious topics. There are also several sub-genres of comedy, including romantic comedy, sentimental comedy, a comedy of manners, and tragic comedy-plays in which the characters take on tragedy with humor in bringing serious situations to happy endings. Comedies place offbeat characters in unusual situations causing them to do and say funny things.
  • Comedy: Lighter in tone, comedies are intended to make the audience laugh and usually come to a happy ending.













  • Good drama co